Square Slant

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Handwriting is a neurological function. As you write, your brain sends messages through the nervous system into the movements of your hands and fingers. Since no one else has the exact same neurological make-up as you do, your handwriting is s much a part of your true identify as your fingerprints.

Graphoanalysis is defined as the study of the individual strokes of handwriting to determine the essential character and personality of the writer. This study includes: how the strokes are formed, spacing of the letters, slant and depth of the writing.

Personality Revealed

How you dot your I's and cross your t's can say a great deal about your motivation, your ideals and how you go about actualizing your drams. People are often very surprised when their handwriting analysis reveals characteristics of which they may have been completely unaware. It's not uncommon to discover certain untapped talents as well.

Handwriting analysis can reveal whether the writer is honest or dishonest, industrious or lazy, weak or strong willed, thrifty or wasteful, calm or nervous ... and a host of other attributes that, when weighted one against another, add up to a clear, comprehensive psychological portrait of the writer.

To the trained Graphoanalyst you have few secrets. Your handwriting is such a sensitive barometer of who you really are that it can reveal not only your character and personality traits but even, to some extent, your current mood.

As you change, your handwriting inevitably reflects those changes.

Applications

Given its high degree of accuracy, Graphoanalysis is applicable to a wide range of both personal and business situations. Human resources personnel apply it as an aid in their hiring and placement practices to avid the costly 'square-peg' syndrome. Educators employ handwriting analysis to pinpoint students' possible emotional disturbances and/or hidden potential. The science of handwriting analysis often gains most press coverage, though, when it is used in the courtroom to evaluate questioned documents. Its primary value, however, is to those individuals seeking greater self-knowledge as a means to creating positive life changes.

Psychological Patterns

In this "Age of Transition" when so many are actively seeking deeper understanding of self and others, Graphoanalysis offers a valuable tool for perception. Perception, true awareness, is the foundation for change. If your handwriting analysis should disclose some less-than-positive psychological pattern of fears and defenses, you can use that knowledge to understand the reasons behind those fears. Once the reasons are looked at and dealt with, you have the power to transform those limiting thought patterns. You always have the power to change.

Graphotherapy

Awareness, however, must be followed by a decision to change followed by action taken to effect those desired changes. That's where Graphotherapy enters the picture ... as an effective method of creating positive change.

Graphotherapy involves deliberately altering those strokes in your handwriting that indicate fears and defenses, by replacing them with positive attributes. Essentially, Graphotherapy provides a focus for the use of 'positive will'.

Taking the initiative for effecting change in your life empowers you; it serves to give you control over those fears that can adversely affect personal development, relationships, career direction ... any and all areas of life.

This is not to claim that Graphotherapy is some magic cure-all: Far from it. Our defenses serve us as survival mechanisms and, as such, are often not easily altered. Forcing such changes is never advisable, since strong resistance will only activate compensating defense mechanisms.

Re-Progamming

However, if the individual is ready to deal with certain issues, then the process of Graphotherapy works somewhat along the lines of affirmation-decision to change followed by the action of deliberately and repeatedly altering the specific handwriting strokes. This method acts as a powerful, conscious, re-programming that, if practiced over time, can alter the individual's self image. It is this acceptance of enhanced self-image that creates the inner strength o change old, self-defeating patterns and move forward into new areas of learning and experience.

There's no magic to either Graphoanalysis or Graphotherapy. Graphoanalysis merely provides us with a clear mirror that reflects ourselves to ourselves, while Graphotherapy offers a simple, self-controlled method of effecting desired life changes. Together, they are a potent combination in helping to accelerate our evolution.

Elaine Charal is a Master Graphoanalyst, Keynote Speaker and distributor of Callirobics, a handwriting kit combining music and graphics to help children with their handwriting and their fine motor control skills. She does individual analyses at corporate events. Check out her 5-minute "Power of the Pen" video on her home page at http://www.handwritinganalysistoronto.com

Learn How to Cross Stitch

Most people find cross stitching straight forward to do, but you do generally need a few tips to help you get started with the right techniques. Here is an explanation of the main terms and cross stitch techniques.

Cross stitch kit

A kit is a pack that contains all the material you need to make the illustrated design. It usually contains Aida or Evenweave fabric, stranded cotton thread in all the required colours, a needle and a cross stitch pattern or chart with instructions on how to complete the design.

Cross stitch chart (or pattern)

A chart is a diagrammatic description of how to complete your design. Codes (such as #, +,

Aida fabric

The threads in Aida fabric are woven in a precise square-pattern which makes it easy to guide the needle in and out of the fabric, to obtain even stitches and to count squares. You usually stitch over 1 square. 11-count Aida means that there are 11 squares in each inch of fabric and 18-count Aida means that there are 18 squares in each inch and so on. The count of the fabric will therefore determine the finished size of the design. The higher the count, the smaller the cross stitches and it is easier to cross stitch in lower count fabric, that is, 11-count is easier than 18-count. The most popular Aida fabrics to use are 14 and 16 count.

Evenweave fabric

Evenweave is any cotton, blended cotton/synthetic, linen or synthetic fabric woven so there is a hole for stitching between each single thread. On Aida, we tend to stitch over 1, however, on Evenweave, we usually stitch over 2 threads. Evenweave comes in a variety of threads counts, most common are 24, 28 and 32.

Stranded Cotton

Sometimes called floss, this thread is comprised of 6 easily separable strands so that you can vary your stitching results depending on the number of strands used. It is ideal for cross stitches, long stitches, short stitches and satin stitches. Most cross stitching is done with 2 strands and the pattern always clearly states whether any stitches are to be completed with 1 or more than 2 strands.

 

This diagram shows a length of stranded cotton and the separation of 2 threads which are usually used for cross stitching.

 

Threads are colourfast; however, washing should only be undertaken if absolutely necessary. If you need to wash your work, do so gently using lukewarm water and a non-biological detergent. Rinse well and place face downwards on a thick lightly coloured towel and press with a warm iron.

Thread card or organiser

Many cross stitch kits already include a thread card with the stranded cotton pre-sorted onto the card. Where this has not been done, it is necessary for you to place your threads through the holes on the thread card and label them so that they will be easy to access when stitching your design.

Needle

A tapestry needle is used for cross stitching which has a blunt point and a large eye. A size 24 needle is used with 14 count Aida.

Embroidery hoop or frame

Frames can be helpful to hold your fabric while you stitch. Some people prefer to stitch holding their fabric in their hands and if their tension is good, this technique will work well. Others may find that the “holes” are opening up or the fabric is puckering, this is when a frame of hoop should be used – if a hoop is used you will be pulling your needle straight up from the back and pushing it straight down toward the back which will require that you move one hand from the front to the back to pull the needle through and vice versa. If you have a stand, you can stitch with one hand on top of the fabric and one underneath so that you don’t have to move one hand from front to back over and over.

Starting your design

It is important to read through all the instructions before beginning with your design. It is a good idea to sew over the edges of the fabric by hand or with a zigzag stitch on a sewing machine to prevent fraying although this is not absolutely necessary. Pinking scissors can be used to create a non-fraying zigzag edge.

Iron your fabric if there are creases. Find the centre of the fabric by folding it in half vertically and again horizontally. It is a good idea to start from the centre of the design if this is convenient, although this is not essential.

It’s a good idea to highlight your chart (yellow works very well) to mark off stitches or areas of stitching as you complete them. This allows you to clearly see which parts of your chart are complete.

Stitches

Cross stitch

Directions: A whole cross stitch is worked by stitching a line of half crosses first and then going back along the same line adding the top stitches. Bring your needle through at the bottom left corner of the square and insert diagonally at the top right. Another method is to complete each stitch as you go; this is good for working vertical rows of cross stitches. It is very important to always work the lower left to upper right stitch first so that all the top threads have the same direction slant. This ensures an even consistency in your finished design.

 

Quarter cross stitch

Directions: Quarter stitches take up a quarter of the area of a whole cross stitch. You will have to split the centre threads on your Aida fabric with your needle.

French knots

Directions: Bring needle through where the knot is required; wind the thread round the needle twice. Twist the needle back into the fabric, very close to where you bought it through, but not in exactly the same place, and pull the needle through while keeping the thread taught.

Back stitch

Back stitching is a running stitch used to outline an area of the design to add definition or to create lettering. It should be worked after the design has been completed. 1 strand of thread is usually used for back stitching.

Directions: Bring needle through at (1), insert at (2). Bring needle through at (3) in front for the next stitch. The following stitch will begin at (1) and end in front of (3).

This diagram shows (1) the first line of diagonal stitches and then (2) the second line cross stitching back over the first.

 

This diagram shows (1) bringing the needle up through the fabric, (2) second placement of needle, (3) in front to end the stitch.

Cross Stitch Top Tips

• Always work with clean hands.
• Do not carry the thread across spaces where there are no cross stitches as this will show up when the design is complete. You should end off and start again instead.
• Allow the threaded needle to dangle upside down from time to time to remove any twists in the thread.
• Don’t use a knot; instead bring the threaded needle through the back of the fabric leaving approximately 2cm to be secured by the next few stitches. To finish, run the needle through about 5 stitches on the back of the fabric.
• Remove the needle from your sewing when you are not working or it will leave a mark. Alternatively, attach it to the extreme outer edge of the fabric.

About the Author

Ruth Kirby is a cross stitch enthusiast who manages a leading cross stitch website - visit http://www.superstitcher.com to find out the latest trends or order their free catalogue.

A right pyramid has slant edges 9cm long and a square base with sides 6cm long.?

A right pyramid has slant edges 9cm long and a square base with sides 6cm long.
a) find the height of the pyramid
b) find the volume of the pyramid

To find the height, you need to find the length of the diagonal of the square base (since you said the edges were 9cm long, not the sides, we need to find the length to the mid-point from a slant edge to be able to find the height by making a triangle):

d = 6√2 >>>> = 8.49cm (rounded to the hundredths)

divide by 2 >>>> = 4.25cm

now ..... a^2 + b^2 = c^2 .... and we have b & c so:

a^2 = c^2 - b^2

a^2 = 9^2 - 4.25^2 >>>> = 62.94

now the square root of 62.94 = 7.93cm height

h = height
a = length of base side

V = (h * a^2)/3
so:

V = (7.93 * 36)/3
V = 95.16 cubic cm

Coast exclusive: interview with Louis Reznick
As Coast special issues editor and Shoptalk reporter Carsten Knox was preparing for this weeks Shoplocal issue, which will concentrate on Barrington Street, he caught up with property baron Louis Reznick, who owns the Roy Building, the Morris Tea building, the former Sam the Record Man and Gingers Tavern buildings, and the buildings housing Freak Lunchbox and Attica. Reznick granted Knox this ...

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